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Martha Diamond: Deep Time

Location

Space

Dates

Your life is defined in time. The way I relate to this in my work is by thinking of infinity: to the time of religion, of history … using shapes that have been significant to people for thousands of years.
—Martha Diamond, interviewed for the 1989 Whitney Biennial

A painterly, abstract oil painting of a building in muted red, yellow, and brown hues by Martha Diamond.

This exhibition is co-organized by the Colby College Museum of Art and The Aldrich Contemporary Art Museum, and co-curated by Colby’s Katz Consulting Curator, Levi Prombaum, and The Aldrich’s Chief Curator, Amy Smith-Stewart.

Major support for the exhibition and accompanying publication is provided by an anonymous donor; additional support is provided by Agnes Gund, David Kordansky Gallery, and The Evelyn Toll Family Foundation. The Colby Museum presentation has also relied on the Everett and Florence Turner Exhibition Fund and the Mirken Family Publications Fund.

A black and white photograph of the artist Martha Diamond leaning against a column in her large, well-lit studio. She has short hair, her hands are folded in front of her, and she is meeting the gaze of the camera intently. Paintings are on the walls and brushes and other tools are on a cart and on the table. The space is clean, spare, and organized.

Diamond’s work is in the permanent collections of numerous institutions, including the Museum of Modern Art, New York; the Whitney Museum of American Art, New York; the Brooklyn Museum, New York; the Solomon R. Guggenheim Museum, New York; the Colby College Museum of Art, Waterville, Maine; the Farnsworth Art Museum, Rockland, Maine; the Museum of Fine Arts, Boston; the Museum of Fine Arts, Houston; the High Museum of Art, Atlanta; the North Carolina Museum of Art, Raleigh; the Art Institute of Chicago; the Minneapolis Institute of Art; and the National Gallery of Australia, Canberra. Her work was in the former collection of The Aldrich and was exhibited at the museum in group exhibitions in 1973, 1974, 1985, and 1988. Diamond’s estate is represented by David Kordansky Gallery, Los Angeles and New York. For more information, please visit marthadiamondtrust.org.

Travel Details

The Aldrich Contemporary Art Museum
Ridgefield, Connecticut
November 16, 2024–May 18, 2025

Selected Works

Martha Diamond

A blue monochrome abstracted painting of the side of a building by Martha Diamond.

Martha Diamon

An abstract painting of the World Trade Towers on linen in muted brown, red, and blue hues.

Martha Diamond

An abstract oil painting on linen in rich lemon yellow and dark red hues with a creamy background.

Martha Diamond

A black ink monotype on cream paper that depicts tall urban buildings from the vantage point of perhaps someone looking out a window of another building.

Martha Diamond

Abstract watercolor of a dome-shaped form in red and orange with a light blue border on a plain background.

Martha Diamond

Abstract painting with yellow brushstrokes on a dark background, resembling architectural elements.

Catalogue

Installation Views

  • Large abstract painting in shades of teal and black on a white wall, with additional colorful works visible in the background.
  • Four abstract paintings in varying shades of blue and black are displayed in a row on a white wall.
  • Six framed watercolor studies of rocks displayed in a horizontal row on a white wall.
  • Introductory wall text beside a corner gallery wall displaying large-scale paintings in bold colors.
  • Six framed works installed in a line, each depicting architectural features in black.
  • Large expressive painting in green, pink, and black tones displayed on a white wall with a view into adjacent gallery spaces featuring additional artworks.
  • Three large vertical cityscape paintings in vibrant colors hanging on a white wall with a light wooden floor in a museum gallery.
  • Gallery view with a large cityscape painting on the right wall and additional abstract works visible in the background through a hallway.
  • Large abstract painting with yellow vertical forms and red cloud-like edges installed beside a gallery entryway, with a dark abstract painting visible in the adjacent room.
  • Grid of thirteen abstract architectural paintings and drawings installed on a white wall.

Installation view of Martha Diamond: Deep Time, Lower Jetté Gallery, Colby College Museum of Art, Waterville, Maine, 2024. Photo: Luc Demers

Installation view of Martha Diamond: Deep Time, Lower Jetté Gallery, Colby College Museum of Art, Waterville, Maine, 2024. Photo: Luc Demers

Installation view of Martha Diamond: Deep Time, Lower Jetté Gallery, Colby College Museum of Art, Waterville, Maine, 2024. Photo: Luc Demers

Installation view of Martha Diamond: Deep Time, Lower Jetté Gallery, Colby College Museum of Art, Waterville, Maine, 2024. Photo: Luc Demers

Installation view of Martha Diamond: Deep Time, Lower Jetté Gallery, Colby College Museum of Art, Waterville, Maine, 2024. Photo: Luc Demers

Installation view of Martha Diamond: Deep Time, Lower Jetté Gallery, Colby College Museum of Art, Waterville, Maine, 2024. Photo: Luc Demers

Installation view of Martha Diamond: Deep Time, Lower Jetté Gallery, Colby College Museum of Art, Waterville, Maine, 2024. Photo: Luc Demers

Installation view of Martha Diamond: Deep Time, Lower Jetté Gallery, Colby College Museum of Art, Waterville, Maine, 2024. Photo: Luc Demers

Installation view of Martha Diamond: Deep Time, Lower Jetté Gallery, Colby College Museum of Art, Waterville, Maine, 2024. Photo: Luc Demers

Installation view of Martha Diamond: Deep Time, Lower Jetté Gallery, Colby College Museum of Art, Waterville, Maine, 2024. Photo: Luc Demers

Abstract artwork with deep blue and black brushstrokes, featuring the text "MARTHA DIAMOND DEEP TIME."